You May Experience Side-FX…

Whether you need to add a dab of reverb or delay to a live vocalist’s mic or warp a hard day’s studio session into psychedelic quicksand, the SX3242FX has you covered. We gave this mixer two independent studiograde 24-bit stereo FX processors with 99 awesome presets to provide the perfect sonic garnish. “Sure they’re great for live sound, but I have a lot of cool plug-ins for recording,” we can hear some of you saying. Truth be told, you never have too many effects. And when you hear the quality of the SX3242FX’s FX, you may want to give your overworked CPU a rest.

Naturally we gave you a whole palette of creative effects like reverb, chorus, flanger, delay and pitch shifter tones, as well as mind-bending multi effects to take your sound out of this world. But you also get problem solving workhorses like compression and gating plus final effects such as Ultramizer, Ultrabass and Exciter that can put a PA or studio mix over the top. And because there are two processors, you can cue two separate effects, then apply one or both to channels 1 through 28 — compression for the vocalist, reverb for the vocalist and snare drum, for example.

Make Feedback Vanish So Your Audience Doesn't

When it comes to suppressing feedback, the SX3242FX is like having a bloodhound trained to spot trouble frequencies a mile away.

The 9-band graphic EQ (which you can choose to apply to your main mix or monitor mix via the MAIN/AUX1 button) features the FBQ Feedback Detection system. It makes finding and adjusting critical frequencies a snap. Just push FBQ IN, then watch as LEDs on the individual EQ sliders light up, indicating which frequency bands are causing feedback. Simply adjust until the LED goes dim.

A Zillion Ways to Change the Channel

At the top of each mono channel, you’ll find both a balanced XLR input with a XENYX mic preamp and a 1/4" input. A phantom power switch located on the back near the main power switch accommodates condenser mics.

Next comes is an insert for connecting up individual signal processors or feeding a remote broadcast feed or multitrack recorder directly.

Trim control and level set LED let you adjust the channel’s input level for maximum headroom and minimum noise — the huge range of this control can handle anything from a very timid vocalist to a close-miked guitar amp stack.

Each mono channel features a 3-band EQ with semi-parametric mids (giving you control of the Mid level and a sweepable frequency with a boost or cut of 15dB) and a Trim control for adjusting input gain via a Level Set LED.

A Low Cut button eliminates the frequencies where unwanted infrasonics such as mic handling, P-pops or wind noise occur.

FX1 and FX2 dials add a blend of up to two effects, and AUX1 and AUX2 dials help create your monitor mix. Press the PRE button to send a raw, EQ-free signal to the monitors.

Near every mono channel’s fader you’ll find a 1-2, 3-4 and MAIN button. By engaging the MAIN button, the signal is sent to the main mix. Or, if you engage the 1-2 button, the channel becomes part of a bus. Twist the PAN control all the way to the left to assign it to Sub 1, or all the way to the right for Sub 2. The same principle applies to the 3-4 button.

A Mute button with accompanying LED cuts the signal from the channel, and a Clip LED helps you dial in a distortion-free post-EQ signal. The Solo button on individual channels routes the subgroup signal to the solo bus or Pre-Fader Listen—depending on whether the signal has been included in a subgroup.

Instead of XLR inputs, stereo channels 25-32 have left and right balanced/unbalanced line level inputs. Channels 25-28 feature the same controls as the mono channels, but with a four-band EQ that gives you control of HIGH, HIGH MID, LOW MID and LOW. This is especially useful for EQ’ing the critical midrange frequency content found in keyboard signals. Stereo channels 29 through 32, designed for signals that do not require EQ, have a simplified interface consisting of a Level, AUX1 and AUX2 dial. Can you say laptop backing track feeds, drum machines, tone modules, DJ mixers or CD players?

Finally, all four sub-mix buses feature an independent fader (naturally), Solo switch with bright LED, and assign buttons for routing them to Left or Right stereo channels.

Take On The World

Why Do You Need This Mixer?

• Built-in pristine XENYX mic preamps… LOTS of them 
  Dual 24-bit FX processor with 99 presets including reverb, chorus, flanger, delay and pitch shifter tones 
• British-style EQ dials give you the sound and control preferred by top studio engineers 
• The built-in FBQ Feedback Detection system instantly reveals critical frequencies and the 9-band stereo graphic EQ allows precise correction of those frequencies in monitor or main mixes
• Awesomely complete I/O – everything from bus inserts to mono output

• We solved the problem of what to do when you want to play music during breaks but don’t want to have to mute every channel or turn down every fader. Just push CD/ Tape STANDBY button to A) mute all mixer channels and B) solo just your CD/Tape source.

• We didn’t just give you a MONO output for subwoofers. We gave it a built-in variable low pass crossover, saving you money on outboard gear. 

• We added a footswitch jack that you can use to control either internal or external effects. 
  We gave you a complete Phones and Control Room assignment matrix so you can send mains, buses, CD/Tape or auxes out at the touch of a button. 

• We added a routing button to Talkback so you can talk directly to either a monitor mix or the house mix for public announcements. 

• We made the 9-band equalizer assignable to either AUX 1 or the main mix.